Monday 6 December 2010

Problems for social realist films in Britain

A Typical British Film?
London to Brighton has several key features which make it a typical example of British cinema:
  • It is low budget (in this case very low budget indeed)
  • It is a sort of hybrid genre mixing aspects of  social realism (by trying to represent aspects of social reality 'as they really are') with the tradition of the British gangster film. Many gangster films such as Get Carter and The Long Good Friday have strong elements of social realism embedded in them.  A key difference might be that social realism tries to look at society on a deeper level by questioning the structures of society and how they might be changed, whilst the gangster film is more geared to entertainment and gaining a resolution to the plot. They tend to take things on the level of individual agency (choices people make) rather than dealing with structures of disadvantage. In many ways this links this film to the social problem film which became especially important in the late 1940s and the 1950s.
  • It has difficulty in getting into the multiplex system as there is little money available for marketing 
  • In terms of genre this film has a slight twist on the normal gangster thriller as the perspective tends to be from the position of the victim rather than having heros / anti-heros.

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